Date: Oct 29
2:30 pm
- 4:30 pm
Where: Level 3 Atrium
Special Performance and Talk: Dr. Gretchen Schiller and Choreographic Contamination
How do gestures migrate across many forms, from the hand to the page, from the eye to a film, from a gut sensation to a piece of music? As we interact and intersect with art, we find the traces of others’ movements across time and space. Presented as part of the international conference “The Aesthetics of Contamination”, organized by Memorial University’s Department of English, this multi-disciplinary experimental performance is choreographed by Dr. Gretchen Schiller.
Music provided by Jamie Moran (vibraphone/marimba) and Brad Jefford (guitar).
Dancers include Sarah Stoker, Andyra Duff, Nicola Dawkins, Jennifer Dick, Robyn Noftall, and Robyn Breen.
Visual artists Leon Chung, Georgia Dawkin and Richard-Max Tremblay collaborate through gestural drawings. Dr. Schiller will speak about her practice and research during the program.
This is a free drop-in program, standing event.
More about the conference:
The Aesthetics of Contamination: Oceanic Environments, Identities, Intermedial Research Creation
Home | Aesthetics Of Contam (smuscat46.wixsite.com). Hosted by Memorial University.
About the presenter:
Dr. Gretchen Schiller, Director and Principal Researcher at the Interdisciplinary Performance Laboratory, Université of Grenoble-Aples. Dr. Schiller is a principal investigator at the Performance Laboratory - an IDEX label project that brings together academics from the fields of geography, performing arts and computer science over a period of 3.5 years. Her choreographic research focuses on the notion of embodied agentivity through participatory installations, "screen dances," performances, workshops, and critical writing. She obtained her B.A. in Dance and Francophone Canadian Studies from the University of Calgary (Canada), her M.A. in Choreography from UCLA (United States), and her PhD from the Science, Technology and Art Research Program at the University of Plymouth (United Kingdom). She was also a student in the Visual Arts Department at MIT Cambridge (United States).
How do place, identity, and art intersect, and what do their points of intersection tell us about this place we call home?
In this talk, Rhea Rollmann will explore the significance of queer and trans art in Atlantic Canada with particular emphasis on the work of Erica Rutherford as well as iterations of queer and trans art in NL. There will be an opportunity for questions after the talk.
Tickets: $12 plus HST. Free for Rooms members. Get your tickets online or by calling 709-757-8090.
About the Presenter:
Rhea Rollmann (she/her) is an award-winning journalist, writer and audio producer based in St. John's, NL, and is the author of A Queer History of Newfoundland (Engen Books, 2023). She is a founding editor of The Independent NL and her journalism has appeared in Briarpatch Magazine, CBC, Xtra Magazine, Chatelaine, PopMatters, Riddle Fence, Macleans and more. Her academic work has been published in the Journal of Gender Studies, Labor Studies Journal, Canadian Woman Studies, Journal of Work and Society, Canadian Theatre Review, Canadian Review of Sociology, Screen Bodies and elsewhere. She also has an extensive background in labour organizing and queer/trans activism, and she is Station Manager at CHMR-FM, a community radio station in St. John's.